Open Knowledge Day on Studio City
“The Directive threatens free knowledge. We are all authors, we are all creators online, so requirements for platforms to filter uploads by third parties, by their users may really lead to a situation where these same filters can be applied to other types of content. Not just copyright violations, you can basically censor anything.”
This is how Jan Gerlach (Senior Public Policy Manager, Wikimedia Foundation) commented on the possible domino effect of the Directive on copyright and related rights in the Digital Single Market. The whole video of the programme Studio City can be accessed here.
On September 16, 2023, Dr. Maja Bogataj Jančič participated in the event @Re:Source MAH – the 10th International Conference on Histories of Media Art, Science and Technology. The program was divided into various categories (“tracks”), specifically focusing on the documentation and preservation of media arts; climate change; pioneers of media arts; and the history of media arts in museums.
The U.S. Copyright Office has once again denied the registration of an artwork created by artificial intelligence. Artist Jason M. Allen was unsuccessful in his second attempt to register the artwork “Theatre D’opera Spatial” as a copyrighted work because it contains more than a de minimis amount of content generated by artificial intelligence (AI).
On Friday 23 June 2023, a webinar entitled “Copyright and Legal Basis for Generative Artificial Intelligence Training” was held as the inaugural event of an informal research network in the region in the field of copyright. Researchers from Slovenia, Croatia, Bosnia and Herzegovina, Serbia and North Macedonia participated in the event, which is part of the national Open Knowledge Day initiative and the national and regional coordination activities carried out by ODIPI under the auspices of Knowledge Rights 21.